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Difference between revisions of "The Monkees"
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The Beatles of fake bands! No wait, that's [[The Rutles]]. Well, how about the Dave Clark Five of fake bands? Bert Schneider and Bob Rafelson created this band for the TV series, inspired by the Beatles' ''Hard Day's Night'' movie. One presumes the Beatles weren't available for a weekly series themselves. Peter Tork, Mike Nesmith, Micky Dolenz and Davy Jones formed the granddaddy of fake bands and one of the most successful, at least during the run of their 1966-1968 [http://us.imdb.com/Title?0060010 TV series]. They gave the teenyboppers something to bob their heads and tap their toes to after the Beatles and other groups started dropping acid and making weirdo, undanceable concept albums. | The Beatles of fake bands! No wait, that's [[The Rutles]]. Well, how about the Dave Clark Five of fake bands? Bert Schneider and Bob Rafelson created this band for the TV series, inspired by the Beatles' ''Hard Day's Night'' movie. One presumes the Beatles weren't available for a weekly series themselves. Peter Tork, Mike Nesmith, Micky Dolenz and Davy Jones formed the granddaddy of fake bands and one of the most successful, at least during the run of their 1966-1968 [http://us.imdb.com/Title?0060010 TV series]. They gave the teenyboppers something to bob their heads and tap their toes to after the Beatles and other groups started dropping acid and making weirdo, undanceable concept albums. | ||
| − | To their credit, the band | + | To their credit, the band later played with the prefab nature of their image; the song "Ditty Diego - War Chant" from their trippy 1968 film ''[http://www.imdb.com/title/tt0063049/ Head]'' parodies their famous theme song with lines like: |
<blockquote>Hey, hey, we're The Monkees<br> | <blockquote>Hey, hey, we're The Monkees<br> | ||
You know we love to please<br> | You know we love to please<br> | ||
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With no philosophies.</blockquote> | With no philosophies.</blockquote> | ||
| − | While the fictional version of the band | + | While the fictional version of the band was a struggling, small-time Los Angeles band that never had any success, the Monkees became a real band in the real world. They took control of their music by ousting producer Don Kirshner in 1967. They produced three albums as a cohesive unit, ''Headquarters'' (1967), ''Pisces, Aquarius, Capricorn & Jones Ltd.'' (1967) and the reunion album ''Justus'' (1996). The other, post-Kirshner albums were less "group oriented", but no more so than later Beatles albums. |
| − | Has their formula been as successfully repeated? [[The Heights]], [[O-Town]], and [[The New Monkees]] sure tried, but none has challenged the originals. | + | Has their formula been as successfully repeated? [[The Heights]], [[O-Town]], and [[The New Monkees]] sure tried, but none has really challenged the originals. |
==External Links== | ==External Links== | ||
Revision as of 09:16, 21 July 2014
The Beatles of fake bands! No wait, that's The Rutles. Well, how about the Dave Clark Five of fake bands? Bert Schneider and Bob Rafelson created this band for the TV series, inspired by the Beatles' Hard Day's Night movie. One presumes the Beatles weren't available for a weekly series themselves. Peter Tork, Mike Nesmith, Micky Dolenz and Davy Jones formed the granddaddy of fake bands and one of the most successful, at least during the run of their 1966-1968 TV series. They gave the teenyboppers something to bob their heads and tap their toes to after the Beatles and other groups started dropping acid and making weirdo, undanceable concept albums.
To their credit, the band later played with the prefab nature of their image; the song "Ditty Diego - War Chant" from their trippy 1968 film Head parodies their famous theme song with lines like:
Hey, hey, we're The Monkees
You know we love to please
A manufactured image
With no philosophies.
While the fictional version of the band was a struggling, small-time Los Angeles band that never had any success, the Monkees became a real band in the real world. They took control of their music by ousting producer Don Kirshner in 1967. They produced three albums as a cohesive unit, Headquarters (1967), Pisces, Aquarius, Capricorn & Jones Ltd. (1967) and the reunion album Justus (1996). The other, post-Kirshner albums were less "group oriented", but no more so than later Beatles albums.
Has their formula been as successfully repeated? The Heights, O-Town, and The New Monkees sure tried, but none has really challenged the originals.
