Hester Prim

Very tall folk singer/guitarist from the 1968 detective novel by Philip Atlee, The Rockabye Contract (aka The Star Ruby Contract), the seventh book in the Joe Gall series.

A Miss Hester Prim, who had just come on stage, was wearing a short black vinyl skirt and black boots. Strands of her flaming hair had been taped over the nipples of her breasts, and she handled the twelvestring Gibson like a ukulele. Hester was a big girl, several inches over six feet.

Miss Prim opened with a couple of Child ballads, straight, to not much of a hand. Then she went into the big-beat sound with some imitation Beatle arrangements that got over better. From them she segued into a bawdy Roger Miller and an even bluer lament for a hairdresser named Freddie. Her timing was good, her delivery droll, and she bowed off to heavy applause.

When the applause became insistent, she encored with a fiery number she said was her own arrangement of Lorca's "Bloody Sunday." Pre-Franco Spain could have sued, had there been any jurisdiction, but she got another full hand and that was it. I glanced at my watch and saw that she had done forty minutes. Her voice was appealing, in a light alto range, but she was no Baez, for all her boot-stamping. It was the superb body that had held them.

External Links

• http://theringerfiles.blogspot.com/2013/06/dig-that-rockabye-bear-rockabye-contract.html
• https://books.google.com/books?id=8eMNEAAAQBAJ&lpg=PT21&pg=PT4#v=onepage&q&f=false
• https://books.google.com/books?id=7-MNEAAAQBAJ&lpg=PP1&pg=PT4#v=onepage&q&f=false