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Difference between revisions of "Kōsei Arima"
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Piano prodigy who is the focus of the 2011–2015 Japanese manga series ''Your Lie in April'' (''Shigatsu wa Kimi no Uso''), its [https://www.imdb.com/title/tt3895150/ anime TV adaptation] (Oct. 2014–March 2015), its [https://www.imdb.com/title/tt5672048/ live-action film adaptation] (2016), and its [https://www.crunchyroll.com/anime-news/2017/05/02-1/meet-the-cast-of-the-your-lie-in-april-stage-play stage adaptation] (2017). In all the incarnations, he loses his ability to hear his own playing and falls away from performing until quirky violinist [[Kaori Miyazono]] rekindles his love of music. | Piano prodigy who is the focus of the 2011–2015 Japanese manga series ''Your Lie in April'' (''Shigatsu wa Kimi no Uso''), its [https://www.imdb.com/title/tt3895150/ anime TV adaptation] (Oct. 2014–March 2015), its [https://www.imdb.com/title/tt5672048/ live-action film adaptation] (2016), and its [https://www.crunchyroll.com/anime-news/2017/05/02-1/meet-the-cast-of-the-your-lie-in-april-stage-play stage adaptation] (2017). In all the incarnations, he loses his ability to hear his own playing and falls away from performing until quirky violinist [[Kaori Miyazono]] rekindles his love of music. | ||
| + | ==External Links== | ||
| + | *https://en.wikipedia.org/wiki/Your_Lie_in_April | ||
[[Category:2011|Arima, Kōsei]] | [[Category:2011|Arima, Kōsei]] | ||
| − | [[Category:Comic books|Arima, Kōsei]][[Category:Fictional pianists|Arima, Kōsei]] | + | [[Category:Comic books|Arima, Kōsei]] |
| + | [[Category:Fictional pianists|Arima, Kōsei]] | ||
Latest revision as of 07:35, 26 August 2019
Piano prodigy who is the focus of the 2011–2015 Japanese manga series Your Lie in April (Shigatsu wa Kimi no Uso), its anime TV adaptation (Oct. 2014–March 2015), its live-action film adaptation (2016), and its stage adaptation (2017). In all the incarnations, he loses his ability to hear his own playing and falls away from performing until quirky violinist Kaori Miyazono rekindles his love of music.
