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Difference between revisions of "Gorkaphone"
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A recent arrival on the jazz scene, Lymphly was discovered by miscellaneous-instrumentalist Cameron Lindsay Jr. while he was working in a razor-blade factory near Duluth. He masters the somewhat difficult gorkaphone (a cross between bassonium and ear flute) as a French chef masters a recipe. His tone on the unwieldy horn has a Far East tang, which is probably why he chooses to sprinkle his lines with bits of Buddhist music. His only fault, in this reviewer's eyes, is a tendency to forget the melody line, a lapse that explains his playing I'll Remember April on every track. | A recent arrival on the jazz scene, Lymphly was discovered by miscellaneous-instrumentalist Cameron Lindsay Jr. while he was working in a razor-blade factory near Duluth. He masters the somewhat difficult gorkaphone (a cross between bassonium and ear flute) as a French chef masters a recipe. His tone on the unwieldy horn has a Far East tang, which is probably why he chooses to sprinkle his lines with bits of Buddhist music. His only fault, in this reviewer's eyes, is a tendency to forget the melody line, a lapse that explains his playing I'll Remember April on every track. | ||
</blockquote> | </blockquote> | ||
+ | |||
+ | ==See also== | ||
+ | *[[Zoot Finster Octet]] | ||
[[Category:Fictional instruments]] | [[Category:Fictional instruments]] |
Revision as of 10:02, 12 May 2018
From the Out of My Head column April 11, 1963, Downbeat Magazine
A recent arrival on the jazz scene, Lymphly was discovered by miscellaneous-instrumentalist Cameron Lindsay Jr. while he was working in a razor-blade factory near Duluth. He masters the somewhat difficult gorkaphone (a cross between bassonium and ear flute) as a French chef masters a recipe. His tone on the unwieldy horn has a Far East tang, which is probably why he chooses to sprinkle his lines with bits of Buddhist music. His only fault, in this reviewer's eyes, is a tendency to forget the melody line, a lapse that explains his playing I'll Remember April on every track.