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Difference between revisions of "Holocaust Pixels"
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Jump to navigationJump to search (New page: From Thomas Pynchon's novel ''Vineland'' (1990). <blockquote> And the band, Holocaust Pixels, found a groove, or attractor, that would've been good for the entire trans-night crossing a...) |
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| − | And the band, Holocaust Pixels, found a groove, or attractor, that would've been good for the entire trans-night crossing and beyond, even if [[Billy Barf and the Vomitones]] hadn't shown up later to sit in, bringing with them Alexei, who turned out to be a Russian Johnny B. Goode, able even unamplified to outwail both bands at once. | + | And the band, Holocaust Pixels, found a groove, or attractor, that would've been good for the entire trans-night crossing and beyond, even if [[Billy Barf and the Vomitones]] hadn't shown up later to sit in, bringing with them Alexei, who turned out to be a Russian [[Johnny B. Goode]], able even unamplified to outwail both bands at once. |
</blockquote> | </blockquote> | ||
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[[Category:1990]] | [[Category:1990]] | ||
| + | [[Category:Vineland]] | ||
Revision as of 04:20, 11 August 2017
From Thomas Pynchon's novel Vineland (1990).
And the band, Holocaust Pixels, found a groove, or attractor, that would've been good for the entire trans-night crossing and beyond, even if Billy Barf and the Vomitones hadn't shown up later to sit in, bringing with them Alexei, who turned out to be a Russian Johnny B. Goode, able even unamplified to outwail both bands at once.
