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Difference between revisions of "Marvin Pontiac"
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*https://www.discogs.com/artist/993646-Marvin-Pontiac | *https://www.discogs.com/artist/993646-Marvin-Pontiac | ||
*https://riotfest.org/2018/04/john-lurie-marvin-pontiac-reissue/ | *https://riotfest.org/2018/04/john-lurie-marvin-pontiac-reissue/ | ||
+ | *https://www.youtube.com/watch?v=qQIaCd9ywyE&list=PLkFdsbeb3snzlxmUhqZGvPdu48-jAcA3C | ||
+ | |||
+ | {{#ev:youtube|qQIaCd9ywyE&list=PLkFdsbeb3snzlxmUhqZGvPdu48-jAcA3C}} | ||
[[Category:1999|Pontiac, Marvin]] | [[Category:1999|Pontiac, Marvin]] | ||
[[Category:Albums|Pontiac, Marvin]] | [[Category:Albums|Pontiac, Marvin]] | ||
[[Category:Blues|Pontiac, Marvin]] | [[Category:Blues|Pontiac, Marvin]] |
Revision as of 09:40, 24 October 2018
Outsider blues musician invented by artist, actor, composer, podcaster John Lurie for the 1999 album The Legendary Marvin Pontiac* – Greatest Hits. He followed it up in 2017 with another release, Marvin Pontiac: The Asylum Tapes.
Lurie wrote Pontiac as a hipster's musical archaeological wet dream: outsider, person of color, troubled genius, went insane, never heard of but yet left a bunch of recorded material.
He was born in Mali in 1932, and killed by a bus in Detroit in 1977.
Real musicians on the album include: John Medeski, Billy Martin, G. Calvin Weston, Marc Ribot, and Tony Scherr. Lurie is a real saxophonist with band The Lounge Lizards.
External Links
- https://www.newyorker.com/culture/culture-desk/john-lurie-emerges-out-of-nowhere-with-some-strikingly-resonant-fake-music
- https://www.discogs.com/artist/993646-Marvin-Pontiac
- https://riotfest.org/2018/04/john-lurie-marvin-pontiac-reissue/
- https://www.youtube.com/watch?v=qQIaCd9ywyE&list=PLkFdsbeb3snzlxmUhqZGvPdu48-jAcA3C
EmbedVideo received the bad id "qQIaCd9ywyE&list=PLkFdsbeb3snzlxmUhqZGvPdu48-jAcA3C" for the service "youtube".